Who loves ya, babyNow, I can understand why the leading characters in TV shows no longer work in advertising – the industry’s glamour having been thankfully debunked – but I wonder what put an end to the wave of shows about private investigators? I wonder if there’s some deeper shift at play. Policing and espionage have been mainstays of mass media entertainment since the old wild west – disguised as a struggle between good and evil, fascination with our criminal tendencies will never wane – but where have all the private dicks gone? Is there no longer currency in a lone avenger getting results while living in a trailer/island guest house/dreary bachelor pad/hot bachelor pad, and grappling with facial hair/lollipops/parrots/inferior companions/arthritis/all those babes and jaded dust dancing wearily in venetian sunlight shafts… Bucking the system, being threatened by jealous cops, taking beatings, squealing tires, making us willingly strain our disbelief because there’s something about their loneliness that’s so familiar, and we’re grateful for it being made to look like a virtue – an inevitable consequence of so much insight into the crud that cakes the human heart. Are we now being forced to admire only those who work within the system – still rogues, of course, but still on the government payroll – even when everyone knows that Sam Spade, god even Miss Marple, is better acquainted with evil, purer of heart, and the one we’d prefer to call on in our time of need?
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